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天下有一言之微，而千古如新，一字之义，而百世如见者，安可泯灭之？故风雷雨露，天之灵，山川名物，地之灵，语言文字，人之灵；毕三才之用，无非一灵以神其间，而又何可泯灭之？集灵第四。

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今天下皆妇人矣，封疆缩其地，而中庭之歌舞犹喧；战血枯其人，而满座之貂貚自若。我辈书生，既无诛贼讨乱之柄，而一片报国之忱，惟于寸楮尺只字间见之；使天下之须眉而妇人者，亦耸然有起色。集峭第三。

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语云，当为情死，不当为情怨。明乎情者，原可死而不可怨者也。虽然，既云情矣，此身已为情有，又何忍死耶？然不死终不透彻耳。韩翃之柳，崔护之花，汉宫之流叶，蜀女之飘梧，令后世有情之人咨嗟想慕，讬之语言，寄之歌咏；而奴无昆仑，客无黄衫，知己无押衙，同志无虞侯，则虽盟在海棠，终是陌路萧郎耳。集情第二。

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食中山之酒，一醉千日。今世之昏昏逐逐，无一日不醉，无一人不醉，趋名者醉于朝，趋利者醉于野，豪者醉于声色车马，而天下竟为昏迷不醒之天下矣，安得一服清凉散，人人解酲，集醒第一。

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醉古堂剑扫，一名《小窗幽记》，十二卷，分醒、情、峭、灵、素、景、韵、奇、绮、豪、法、倩十二卷，计一千五百多则，是一部纂辑式的清言小品集。醒、峭、奇、豪四卷，抒发的是豪情空有、壮志未酬的末世情怀，愤世嫉俗，奇谋炒策，只有寄托于文字之间；情、灵、景、绮、倩五卷则标举美人名花、青山绿水、秘书灵籍为其安身立命之场，体现的是方外之致和隐逸幽趣；而素、韵、法三卷所呈现的则是名士的隐逸风格，是人生境界。

人间小不平，可以酒消之；人间大不幸，非剑不足以消之。然乃杀人犯法事，故只好以笔代剑，此所以名为“剑扫”。

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