矢野真紀 – 夜曲


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矢野真紀 – 夜曲
作曲:寺岡呼人
作词:寺岡呼人
日文歌词:
長い長い旅の果てに
僕はこの岸辺にやってきた
何処に向かい流れてるの?
目の前の河よ
向かう場所も見失って
なのに何故僕は生きてるの?
問いかけてもこの景色は
何も答えない
消えはしないあの日の痛み
今も聞こえる
君の言葉が
泣いて泣いて泣いて
どうして人は想いが溢れ出るの?
生きる者すべての涙の雨が やがて河になり
大地を今日も流れてる
ひとつひとつ輝きだす
茜色の空の星達
遙か遠く故郷には
今も僕がいる
永遠など誰も求めず
短すぎる生命を生きてる
泣いて泣いて泣いて
どうして人はこんなに弱いのだろう?
すべての哀しみや歓び達が やがて河になり
世界を今日も流れてる
夜へ還る海鳥達よ
僕の孤独も運んでおくれ
泣いて泣いて泣いて
どうして人は想いが溢れ出るの?
生きる者すべての涙の雨が
やがて河になり大地を今日も流れてる

试听:http://podcache.cctv.com/published1/2008/02/04/pub1202092389803.mp3

中文歌词:

漫长旅行的最后
我来到了这岸边
你往哪儿流去啊
眼前的河流

前进的方向也迷失了
我究竟是为了什么而活着呢
即使这样问,风景也依旧
它什么都不回答
昨日的痛并没有消失
到现在还听得见
你的话语
哭泣哭泣哭泣
人为什么要流露出思念呢
生者全部的泪水化成了河流
在大地上
今天仍在流淌

一颗一颗放出光辉的
是夜空中的星星
故乡是那么地遥远啊
今天我却在这里

谁都想追求永恒
因为人活着的时间是那么的短暂

哭泣哭泣哭泣
生命为什么如此的脆弱
所有的悲伤和喜悦化成了河流
在世界上
今天仍在流淌

夜归的海鸟啊
请一并带走我的孤独吧

哭泣哭泣哭泣
人为什么要流露出思念呢
生者全部的泪水化成了河流
在大地上
今天仍在流淌

最近一直在听这首歌,这是我第一次如此欣赏一首日文歌。

记得大学的时候英语听力课中,老师说英文是以音表意的语言,所以比较适合歌唱的形式抒发情怀,而日文、韩文在中文的基础上发展到现在,已经变成四不象,既不适合形表意,也不适合音表意,赞。

姬神之类的音乐,算是日本除劲歌之外最受欢迎的唯一形式了吧,虽然一直在听,可总是沉不进去,应该是心情较为浮躁的原因吧。

矢野真紀是个认真的音乐人,从《旧日时光的山丘》开始,略显悲情的声线,沧桑的氛围,游走于各种音乐形式之间。

漫长的旅行总要走到尽头
再次来到了这岸边
抽刀断水止不住的流淌
我该再次走向何方?

前进的方向总是太多岔路
在这残忍的五月
荒原依旧在丁香和蔷薇之间滋生欲望
昨日的伤 童年的梦在佛洛伊德的话语中不朽
可你听的见我的哭泣吗

生者的情绪化作河流在大地之上泛滥
回忆总化作思念
泪水为谁奔腾不息
尸骸和堆满灰尘的树

生者全部的泪水化成了河流
大地上 今天仍在流淌
是谁在导演哀伤
让人亲眼看到每个人走入围城

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Minor Shadows-1 Mile North


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Artists :1 Mile North
Title :Minor Shadows
Label :Ba Da Bing
Release Date :May 6, 2003
Genres :Post Rock
Format :CD

List :
01. In 1983 He Loved To Fly
02. Life Indoors
03. Return To From Where We Came
04. The Sick
05. Black Lines
06. August 8:15
07. The Manual

试听曲目:01. In 1983 He Loved To Fly

往北一英里,是梦是醒?
再次经过那个湖边的小镇,噢,为什么是又?
在这个记忆模糊的秋天,那枯黄的叶子,那萧瑟的屋顶,那飘扬的渔网,就那么横在心头,愁煞个人!

躺在公园的长椅上,翻开那本《老人与海》,
丝丝秋意透过衣服狡黠的钻进心窝,蓦得被一枚落叶击中,就在它的阴影中沉睡过去。
不由自主地伸手去触摸那深蓝色的眸子,在不晓得到底有多远的泡沫中,
我曾视那澎湃有如摇椅,独自一人,摇摇晃晃、反反复复,沉迷在漂泊之中。
醉在水气中的那把钢吉他,20年前是那么的青涩,在试验了几个夜晚之后,在几个朋友的撺掇下,
终于在某个毫无特色的夜晚走到那扇窗下,却突然忘记要说什么。

世间总是有那么一些由寂静滋生的音乐,就在那么简单的乐器下,轻松的将寂寞大写在你的耳边。
无一例外,我总在那一把扫弦下,划破指尖。
含着指头,舌头洗刷着铁锈般的味道,一遍一遍,不再说些什么。
迷恋那些温吞着的阳光,也一样迷恋散发着阳光味道的裙子,在那些不保证真实的记忆碎片中。
在不远处拐角消失的身影,总是伴着一些舞蹈跳跃的印象,夹杂着犹如铜铃一般清脆的笑声,
就如同音乐中时隐时现的呢喃。关于这些,我只说给你听。

再翻一页,我看到深蓝背景下枯萎的大鱼骨,
那斑驳的船身上,满是齿痕,有岁月的,有海的,当然也有鱼的。
抚摸着画面,真想就那么陷进去,抱住那凄婉的美。
终于到最后一页,合上硬硬的扉页。我是否该拾起一片最漂亮的叶子,记录下这个午后的小憩。
再次翻开,书页就那样在我颚下狰狞的飞来飞去。
是它,偷去了我的下午,我的记忆,却不给我任何保证,甚至记忆。
那一个个字词,一块块墨迹,就在我耳边飞去,留下一片空白,就如掌纹。

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Long Road Out Of Eden-Eagles


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专辑名称:《Long Road Out Of Eden》
乐队名称:Eagles
唱片公司:Lost Highway, Universal
发行时间:2007年10月30日
风格流派:Rock/Country
推荐指数:★★★★★

曲目列表(专辑为双CD):
CD1:
1. No More Walks In The Wood 2:00
2. How Long 3:16
3. Busy Being Fabulous 4:20
4. What Do I Do With My Heart 3:54
5. Guilty Of The Crime 3:43
6. I Don’t Want To Hear Any More 4:21
7. Waiting In The Weeds 7:46
8. No More Cloudy Days 4:03
9. Fast Company 4:00
10. Do Something 5:12
11. You Are Not Alone 2:24

CD2:
1. Long Road Out Of Eden 10:17
2. I Dreamed There Was No War 1:38
3. Somebody 4:09
4. Frail Grasp On The Big Picture 5:46
5. Last Good Time In Town 7:07
6. I Love To Watch A Woman Dance 3:16
7. Business As Usual 5:31
8. Center Of The Universe 3:42
9. It’s Your World Now 4:22

the eagles 老鹰,这支殿堂级乐队成立于1971年,共推出过六张专辑,唱片销量已超过一亿二千万张,名曲《Hotel California 》更是街知巷闻,至今仍不时被人翻唱,我想听过英文歌曲的就不可能没听过这只单曲。

1979年推出《The Long Run》后,老鹰乐队已於1981年解散,时隔二十八年后才再次飞翔,新专辑Long Road Out of Eden收录了20首新歌,公司亦会用过百万广告费为他们宣传,已於十月三十日推出。

转评论文字:

涵盖流行摇滚、民谣摇滚、抒情摇滚、拉丁摇滚、史诗摇滚等各式各样的摇滚品种,广泛讨论对美国社会与全球局势的敏锐观察,对人与人之间情感关系的细腻描述,还有对全人类面临的处境的观点陈述,从多样的摇滚曲风到言之有物的歌词,绝对挑起所有乐迷对老鹰的美好回忆与兴奋之情。
专辑以非常具有环保意识的歌曲;No More Walks In The Wood; 揭开序幕,接着映入耳际的是曾为老鹰合唱团创作过畅销曲;Best Of My Love; 的摇滚歌手 J.D. Souther 在1974年所写的典型老鹰式民谣摇滚小品;How Long;。由唐亨利与提摩西史密特携手共谱的;Do Something; 乍听之下是首描写男女之间情爱关系的浪漫情歌,但其实也表达了乐团对于周遭环境与时局的关心,而同样也是情歌曲式的作品;Waiting In The Weeds; 则是描述乐团成员如何在时间洪流中学会自我沉潜的过程。唐亨利与格林佛莱齐力打造的10分钟摇滚史诗大作;Long Road Out Of Eden; 则是从战争时局反讽人类文明的堕落,同时也感慨现代社会充满对立,哗众取宠的现象。另一首同样出自亨利与佛莱手笔的;Frail Grasp On The Big Picture; 直接重炮抨击“新闻精神沦丧”、“文化满天飞”的传媒乱象。乔华许不改摇滚老顽童玩乐性格,带来;Guilty Of The Crime;Last Good Time In Town; 这两首轻快风趣的摇滚劲作。专辑最末两首歌曲;Center Of The Universe、It’s Your World Now; 是唐亨利与格林佛莱以身为人父的心情道出对下一代的关怀与期许。

28年前,老鹰是神,高高飞翔在上,唱出Take It Easy的感觉,演义出Hotel California的史诗,随意的翻云覆雨,就那么轻易的左右着人们的情绪。

28年间,老鹰是上下求索,在日渐苍白的流行因素中,我们只能庆幸我们还有黄金年代的记忆。关于老鹰、关于披头士、关于猫王,我们曾经那偏执的爱情、友谊、家乡,似乎只有怀旧,才能复活。

转眼间,28年过去了,这似乎暗合我所经历的春秋。我不知道是该悲哀,我们失去了 太多,还是该庆幸,我仍拥有美好的记忆。每每空气中再次弥漫熟悉的音符,翻起泛黄的照片似乎是无奈的唯一选择。

如今,老鹰早已超越经典,成为全世界最伟大的乐团之一,名人堂中的印记,无论无何都值得后来人们仰视。

2007年,老鹰 两大灵魂人物 Don Henley 跟 Glenn Frey 共同宣布“远离伊甸园 ”即将面市。

Don Henley 说:“我们用自己的时间做事,不用时间表做事”。

Eagles 说:“时间会证明一切,28年没有白等。”

我们会说:“重历光耀!”

老鹰仍飞翔在路上。我们已经远离了神化纪,神已堕落凡尘。我们唯有自救,不再需要飘渺的神话来自我安慰。

当,文化与文明,可以控制并满足我们的欲望,我们是否就是神?

有些问题,并不需要答案,只因在路上,何妨Long Road Out!

试听曲目:

1、How Long
3、What Do I Do With My Heart
9. Fast Company
个人比较喜欢的一首.
2. I Dreamed There Was No War
个人比较喜欢的一首.

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The Third Man


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艺人名称: Enrico Rava & Stefano Bollani
专辑名称: The Third Man
专辑曲风: 爵士 Jazz
发行日期: Oct 29, 2007
唱片公司: ECM
官方网站:
http://www.enricorava.com

乐队介绍:
Enrico Rava
This hugely popular trumpet player (born in Trieste, 1939) almost single-handedly brought Italian jazz to international attention. He began playing Dixieland trombone in Turin, but after hearing Miles Davis, switched instruments and embraced the modern style. Other key meetings were with Gato Barbieri, with whom he recorded movie soundtracks in 1962, and with Chet Baker. Right after, he began to play with Steve Lacy; he also teamed up with South African expatriates Louis Moholo and John Dyani and recorded The Forest and the Zoo (ESP) live in Argentina. In 1967 he moved to New York, playing with Roswell Rudd, Marion Brown, Rashied Ali, Cecil Taylor, and Charlie Haden. In a brief return to Europe, Rava recorded with Lee Konitz (Stereokonitz, RCA) and Manfred Schoof (European Echoes, FMP). From 1969 to 1976, he was back in New York, recording Escalator Over the Hill with Carla Bley’s Jazz Composers’ Orchestra (JCOA). After his first album as a leader, Il Giro del Giorno in 80 Mondi (Black Saint), he’s been leading his own pianoless quartets/quintets. His recorded output numbers 100 records, 30 as a leader.

ECM has reissued some of his essential recordings of the ’70s, like The Pilgrim and the Stars, The Plot, and E. R. Quartet, while Soul Note and Label Bleu published CDs by his innovative Electric Five (in reality a sextet, as he always excludes himself from the count), which includes two electric guitars. With keyboard master Franco D’Andrea and trumpeter Paolo Fresu, Rava recorded Bix and Pop (Philology) and Shades of Chet, tributes to Bix Beiderbecke and Armstrong, and to Chet Baker, respectively. Also of note are Rava, l’Opera Va and Carmen, gorgeous readings of opera arias. In 2001 he created a new quintet with young talents Gianluca Petrella, Stefano Bollani, Rosario Bonaccorso, and Roberto Gatto, and toured with old friends Roswell Rudd and Gato Barbieri, releasing Easy Living with them in 2004 on ECM. Three years later, after Bollani, who had struck out as a solo player, was replaced by Andrea Pozza, The Words and the Days came out.

Stefano Bollani
Jazz pianist Stefano Bollani was born in Milan, Italy, on December 5, 1972. He began playing piano as a child in order to accompany his singing, but soon concentrated solely on the instrument, enrolling in a conservatory in Florence when he was 11. There, he studied both jazz and pop music, and after graduating in 1993, added his keyboard skills to albums for many of Italy’s top pop stars, including Laura Pausini, Irene Grandi, and Jovanotti. When working with the latter in 1996 he met avant-garde jazz trumpeter Enrico Rava, who invited the young pianist to play with him in Paris, an opportunity Bollani quickly accepted. He then began to release more jazz albums, first with his trio (completed by bassist Ares Tavolazzi and drummer Walter Paoli) but also as a solo artist (like on 2003’s Småt Småt and 2006’s Piano Solo) as well as with other trios (2002’s Fleurs Bleues drew from the talents of bassist Scott Colley and drummer Clarence Penn, while 2005’s Gleda: Songs from Scandinavia used Jesper Bodilsen and Morten Lund) and even a quintet (2006’s I Visionari). Bollani has also appeared on stages at the Umbria and Montreal Jazz Festivals, among others, and has performed with musicians like Gato Barbieri, Lee Konitz, Pat Metheny, Paolo Fresu, and Phil Woods.

专辑介绍:
They have been playing together since the early 1990s, Bollani hailing trumpeter Rava as his mentor, and Rava regarding Bollani as “perhaps the most gifted pianist since Art Tatum”. After Rava’s highly acclaimed “Easy Living” (quintet featuring Bollani) and the Rava/Bollani/Paul Motian collaboration “Tati”, comes this superb duo set, recorded in Lugano in November 2006. Here is marvellous linear playing and melodies plucked from the air, two master improvisers making freely lyrical jazz together – inspired by jazz history, South American music (an important source for both musicians), the Italian song tradition, contemporary composition and more, all developed, under Manfred Eicher’s supervision, into a unique programme. The repertoire includes compositions by each of the protagonists, two takes of Antonio Carlos Jobim’s famous ballad “Retrato Em Branco Y Preto”, a reinvention of “Estate” by the Italian singer Bruno Martino (whose own inspirations included Neapolitan folk song as well as jazz ) and spontaneous –yet profoundly melodic – free improvisation on the title track.

曲目列表:
01 – estate 08:34
02 – the third man 05:04
03 – sun bay 04:35
04 – retrato em branco y preto 07:45
05 – birth of a butterfly 07:23
06 – cumpari 04:47
07 – sweet light 06:10
08 – santa teresa 04:46
09 – felipe 05:10
10 – in search of titina 04:25
11 – retrato em branco y preto, var. 07:38
12 – birth of a butterfly, var. 05:16

试听曲目:02 – the third man
http://www.luoo.net/comtely/01-enrico_rava_and_stefano_bollani-estate.mp3 
 

一如封面一般,这是一张冷艳的唱片。

来自意大利的两位音乐家在这个2007年的初冬带给大家一张和冬天一样黑冷的唱片,不同的是,其实这声音多么象黄昏时从邻家大叔家里传来的饭菜香气,在清冷中透出一丝若有似无的熟悉,让人不由得壮志全消,甘愿在炉火旁读书、喝茶然后垂垂老矣。

Enrico Rava,老牌的意大利小号手,欧洲爵士音乐界相当当的人物,小号在他手里成为一种完美的表达工具。

Stefano Bollani,意大利的钢琴师,在钢琴的旋律里,美丽无处不在。黑白键盘造就的氛围里,销魂、忘忧。

喜欢这首歌还是看到唱片封面之后。黑色的光亮、颗粒感。以两个老男人为中心再加上钢琴的背景,让人不由得想起,当我去的时候,是否也能如此宁静。

冬日的午后,聆听这张唱片,抱住暖暖的水杯,任由思路天马行空,有时奢望,有些幻想,只是一种无以言传的情绪,这不正是爵士的态度吗?

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The Fat Lady Of Limbourg-Shivaree


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Fat Lady Of Limbourg

Shivaree  《2005-who\’s got trouble》

[00:19.67]Well, I rang up Pantucci
[00:24.07]Spoke to Lu-chi
[00:26.48]I gave them all
[00:29.94]They needed to know

[00:33.14]And if affairs are proceeding
[00:37.68]As we\’re expecting soon enough
[00:41.65]The weak spots will show

[00:46.21]I assume you understand that we have options on your time
[00:52.85]And will ditch you in the harbour if we must

[00:58.75]But if it all works out nicely
[01:02.64]You\’ll get the bonus you deserve
[01:08.13]From doctors we trust.

[01:16.00]The Fat Lady of Limbourg
[01:21.80]Looked at the samples that we sent
[01:24.70]And furrowed her brow

[01:29.30]You would never believe that
[01:33.64]She\’d tasted royalty and fame
[01:38.51]If you saw her now

[01:42.82]But her sense of taste is such that she\’ll distinguish with her tongue
[01:49.49]The subtleties a spectrograph would miss

[01:56.19]And then announce her decision
[02:00.44]While demanding her reward
[02:04.31]The jellyfish kiss

[02:18.99]Now we checked out this duck quack
[02:24.33]Who laid a big egg, oh so black
[02:28.10]It shone just like gold

[02:32.12]And then the kids from the city
[02:36.69]Finding it pretty, took it home
[02:41.25]And there it was sold

[02:45.75]It was changing hands for weeks \’till someone left it by their fire
[02:52.50]It melted to a puddle on the floor

[02:59.49]For it was only a candle
[03:03.58]A Roman scandal oh oh oh
[03:08.14]Now it\’s a pool

[03:14.76]That\’s what we\’re paid for
[03:17.09]That\’s what we\’re paid for
[03:20.29]That\’s what we\’re paid for here

[03:27.14]That\’s what we\’re paid for
[03:30.38]That\’s what we\’re paid for
[03:33.59]That\’s what we\’re paid for here

强烈推荐这首歌,音乐就先不说了,光是这专集封面,就令人遐想不断.我中意那丝袜!:)...好了,不说了,带水袖下,音乐上!

本来要把歌词翻译出来的,但实在看不懂。不过反正我的英语水平也领悟不到歌词的玄妙,就FQ了。但是,郑重宣布:我喜欢这女声!
沙哑、慵懒却有充满金属质感,如倚窗的海棠,一酡腮红下掩藏不住的疲倦,纤长的手指间燃烧的烟花火,我想我们都是飞蛾,天生就有扑火的冲动。
糜红的灯火下,撩去眼前的发丝,看不到郎归。
转身、电话,没有人接听。
再打,仿佛看到了他身边的喧嚣,有脂粉穿插周围。
煽动的眸子,穿不透迷雾。
我不懂,we have options on your time。
我不懂,生活中是否充满欺骗?
我不懂,不懂的太多太多!
一个苍白的理由,是否可以推脱一切?

手在胸间抚动,湿湿的吻上你粗犷的棱角。
丁香舌却吐出蘅钢剑??问你为什么玫瑰会凋谢?

整首歌就象一个故事,都市里身边的你我他都可能是主角。
听完之后,我想问:“凭什么爱情只能让人厌倦,可却喝了几十年的白水没换?”

貌似是一首充满欺骗、性感的音乐,和声非常内敛,电音处理的恰到好处,尤喜欢开头一段前奏。整曲听罢,能听到众多音乐形式汇聚在一起,但却不显拥挤,实在不错。在神秘的中国锣镲的精妙配合(好象还有手鼓的节奏),Shivaree携其带着薄雾和湿润的眼神姗姗来迟,灯光下她就象一个女王。一个怀揣古老心结的都会之宠,在众人的注视下,轻启樱唇,色彩随之迸出,金属质感的声线,犹如手持双刀的摩擦,每个人都兴奋在刺激之下,渴望幸运之神的眷顾,主角会是自己。从一数到十,手指还没有点到谁,继续……

我想放弃,也知道要放弃,可我却舍不得!
看到地板上的脏水,我知道被弃若敝褛,身边的空旷,依稀有你的痕迹。
下次是什么时候?又是从什么方向勾动你的欲望,没有答案。

有时候付出付出未必有回报,痛苦的却不是这,而是明知不可为而强为之的心酸。

PS,播放器上这首歌后面的一首是Scorpions的Still Loving You,一首也很精彩的男声,对比着听,很棒!

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