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{"id":854,"date":"2010-03-08T15:34:08","date_gmt":"2010-03-08T22:34:08","guid":{"rendered":"http:\/\/www.tmter.com\/?p=854"},"modified":"2010-03-08T15:34:08","modified_gmt":"2010-03-08T22:34:08","slug":"the-third-man","status":"publish","type":"post","link":"http:\/\/www.tmter.com\/?p=854","title":{"rendered":"The Third Man"},"content":{"rendered":"<p><span style=\"font-family: Times New Roman;\"><img loading=\"lazy\" src=\"http:\/\/www.enricorava.com\/img\/ECM_2020.jpg\" border=\"0\" alt=\" \" width=\"226\" height=\"206\" align=\"left\" \/><\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">\u827a\u4eba\u540d\u79f0: Enrico Rava &amp; Stefano Bollani<br \/>\n\u4e13\u8f91\u540d\u79f0: The Third Man<br \/>\n\u4e13\u8f91\u66f2\u98ce: \u7235\u58eb Jazz<br \/>\n\u53d1\u884c\u65e5\u671f: Oct 29, 2007<br \/>\n\u5531\u7247\u516c\u53f8: ECM<br \/>\n\u5b98\u65b9\u7f51\u7ad9: <\/span><a href=\"http:\/\/www.enricorava.com\/\"><span style=\"font-size: small; color: #0000ff; font-family: times new roman,times;\"><span style=\"text-decoration: underline;\">http:\/\/www.enricorava.com<\/span><\/span><\/a><span style=\"font-size: small; font-family: Times New Roman;\"> <\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">\u4e50\u961f\u4ecb\u7ecd:<br \/>\nEnrico Rava<br \/>\nThis hugely popular trumpet player (born in Trieste, 1939) almost single-handedly brought Italian jazz to international attention. He began playing Dixieland trombone in Turin, but after hearing Miles Davis, switched instruments and embraced the modern style. Other key meetings were with Gato Barbieri, with whom he recorded movie soundtracks in 1962, and with Chet Baker. Right after, he began to play with Steve Lacy; he also teamed up with South African expatriates Louis Moholo and John Dyani and recorded The Forest and the Zoo (ESP) live in Argentina. In 1967 he moved to New York, playing with Roswell Rudd, Marion Brown, Rashied Ali, Cecil Taylor, and Charlie Haden. In a brief return to Europe, Rava recorded with Lee Konitz (Stereokonitz, RCA) and Manfred Schoof (European Echoes, FMP). From 1969 to 1976, he was back in New York, recording Escalator Over the Hill with Carla Bley&#8217;s Jazz Composers&#8217; Orchestra (JCOA). After his first album as a leader, Il Giro del Giorno in 80 Mondi (Black Saint), he&#8217;s been leading his own pianoless quartets\/quintets. His recorded output numbers 100 records, 30 as a leader.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">ECM has reissued some of his essential recordings of the &#8217;70s, like The Pilgrim and the Stars, The Plot, and E. R. Quartet, while Soul Note and Label Bleu published CDs by his innovative Electric Five (in reality a sextet, as he always excludes himself from the count), which includes two electric guitars. With keyboard master Franco D&#8217;Andrea and trumpeter Paolo Fresu, Rava recorded Bix and Pop (Philology) and Shades of Chet, tributes to Bix Beiderbecke and Armstrong, and to Chet Baker, respectively. Also of note are Rava, l&#8217;Opera Va and Carmen, gorgeous readings of opera arias. In 2001 he created a new quintet with young talents Gianluca Petrella, Stefano Bollani, Rosario Bonaccorso, and Roberto Gatto, and toured with old friends Roswell Rudd and Gato Barbieri, releasing Easy Living with them in 2004 on ECM. Three years later, after Bollani, who had struck out as a solo player, was replaced by Andrea Pozza, The Words and the Days came out.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">Stefano Bollani<br \/>\nJazz pianist Stefano Bollani was born in Milan, Italy, on December 5, 1972. He began playing piano as a child in order to accompany his singing, but soon concentrated solely on the instrument, enrolling in a conservatory in Florence when he was 11. There, he studied both jazz and pop music, and after graduating in 1993, added his keyboard skills to albums for many of Italy&#8217;s top pop stars, including Laura Pausini, Irene Grandi, and Jovanotti. When working with the latter in 1996 he met avant-garde jazz trumpeter Enrico Rava, who invited the young pianist to play with him in Paris, an opportunity Bollani quickly accepted. He then began to release more jazz albums, first with his trio (completed by bassist Ares Tavolazzi and drummer Walter Paoli) but also as a solo artist (like on 2003&#8217;s Sm\u00e5t Sm\u00e5t and 2006&#8217;s Piano Solo) as well as with other trios (2002&#8217;s Fleurs Bleues drew from the talents of bassist Scott Colley and drummer Clarence Penn, while 2005&#8217;s Gleda: Songs from Scandinavia used Jesper Bodilsen and Morten Lund) and even a quintet (2006&#8217;s I Visionari). Bollani has also appeared on stages at the Umbria and Montreal Jazz Festivals, among others, and has performed with musicians like Gato Barbieri, Lee Konitz, Pat Metheny, Paolo Fresu, and Phil Woods.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">\u4e13\u8f91\u4ecb\u7ecd:<br \/>\nThey have been playing together since the early 1990s, Bollani hailing trumpeter Rava as his mentor, and Rava regarding Bollani as \u201cperhaps the most gifted pianist since Art Tatum\u201d. After Rava\u2019s highly acclaimed \u201cEasy Living\u201d (quintet featuring Bollani) and the Rava\/Bollani\/Paul Motian collaboration \u201cTati\u201d, comes this superb duo set, recorded in Lugano in November 2006. Here is marvellous linear playing and melodies plucked from the air, two master improvisers making freely lyrical jazz together \u2013 inspired by jazz history, South American music (an important source for both musicians), the Italian song tradition, contemporary composition and more, all developed, under Manfred Eicher\u2019s supervision, into a unique programme. The repertoire includes compositions by each of the protagonists, two takes of Antonio Carlos Jobim\u2019s famous ballad \u201cRetrato Em Branco Y Preto\u201d, a reinvention of \u201cEstate\u201d by the Italian singer Bruno Martino (whose own inspirations included Neapolitan folk song as well as jazz ) and spontaneous \u2013yet profoundly melodic \u2013 free improvisation on the title track.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">\u66f2\u76ee\u5217\u8868:<br \/>\n01 &#8211; estate 08:34<br \/>\n02 &#8211; the third man 05:04<br \/>\n03 &#8211; sun bay 04:35<br \/>\n04 &#8211; retrato em branco y preto 07:45<br \/>\n05 &#8211; birth of a butterfly 07:23<br \/>\n06 &#8211; cumpari 04:47<br \/>\n07 &#8211; sweet light 06:10<br \/>\n08 &#8211; santa teresa 04:46<br \/>\n09 &#8211; felipe 05:10<br \/>\n10 &#8211; in search of titina 04:25<br \/>\n11 &#8211; retrato em branco y preto, var. 07:38<br \/>\n12 &#8211; birth of a butterfly, var. 05:16<\/span><\/p>\n<p><span style=\"font-size: small; font-family: Times New Roman;\">\u8bd5\u542c\u66f2\u76ee\uff1a02 &#8211; the third man <\/span><br \/>\n<a href=\"http:\/\/www.luoo.net\/comtely\/01-enrico_rava_and_stefano_bollani-estate.mp3\">http:\/\/www.luoo.net\/comtely\/01-enrico_rava_and_stefano_bollani-estate.mp3<\/a>\u00a0<br \/>\n\u00a0<\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">\u4e00\u5982\u5c01\u9762\u4e00\u822c\uff0c\u8fd9\u662f\u4e00\u5f20\u51b7\u8273\u7684\u5531\u7247\u3002<\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">\u6765\u81ea\u610f\u5927\u5229\u7684\u4e24\u4f4d\u97f3\u4e50\u5bb6\u5728\u8fd9\u4e2a2007\u5e74\u7684\u521d\u51ac\u5e26\u7ed9\u5927\u5bb6\u4e00\u5f20\u548c\u51ac\u5929\u4e00\u6837\u9ed1\u51b7\u7684\u5531\u7247\uff0c\u4e0d\u540c\u7684\u662f\uff0c\u5176\u5b9e\u8fd9\u58f0\u97f3\u591a\u4e48\u8c61\u9ec4\u660f\u65f6\u4ece\u90bb\u5bb6\u5927\u53d4\u5bb6\u91cc\u4f20\u6765\u7684\u996d\u83dc\u9999\u6c14\uff0c\u5728\u6e05\u51b7\u4e2d\u900f\u51fa\u4e00\u4e1d\u82e5\u6709\u4f3c\u65e0\u7684\u719f\u6089\uff0c\u8ba9\u4eba\u4e0d\u7531\u5f97\u58ee\u5fd7\u5168\u6d88\uff0c\u7518\u613f\u5728\u7089\u706b\u65c1\u8bfb\u4e66\u3001\u559d\u8336\u7136\u540e\u5782\u5782\u8001\u77e3\u3002<\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">Enrico Rava\uff0c\u8001\u724c\u7684\u610f\u5927\u5229\u5c0f\u53f7\u624b\uff0c\u6b27\u6d32\u7235\u58eb\u97f3\u4e50\u754c\u76f8\u5f53\u5f53\u7684\u4eba\u7269\uff0c\u5c0f\u53f7\u5728\u4ed6\u624b\u91cc\u6210\u4e3a\u4e00\u79cd\u5b8c\u7f8e\u7684\u8868\u8fbe\u5de5\u5177\u3002<\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">S<\/span><span style=\"font-size: small; font-family: times new roman,times;\">tefano Bollani\uff0c\u610f\u5927\u5229\u7684\u94a2\u7434\u5e08\uff0c\u5728\u94a2\u7434\u7684\u65cb\u5f8b\u91cc\uff0c\u7f8e\u4e3d\u65e0\u5904\u4e0d\u5728\u3002\u9ed1\u767d\u952e\u76d8\u9020\u5c31\u7684\u6c1b\u56f4\u91cc\uff0c\u9500\u9b42\u3001\u5fd8\u5fe7\u3002<\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">\u559c\u6b22\u8fd9\u9996\u6b4c\u8fd8\u662f\u770b\u5230\u5531\u7247\u5c01\u9762\u4e4b\u540e\u3002\u9ed1\u8272\u7684\u5149\u4eae\u3001\u9897\u7c92\u611f\u3002\u4ee5\u4e24\u4e2a\u8001\u7537\u4eba\u4e3a\u4e2d\u5fc3\u518d\u52a0\u4e0a\u94a2\u7434\u7684\u80cc\u666f\uff0c\u8ba9\u4eba\u4e0d\u7531\u5f97\u60f3\u8d77\uff0c\u5f53\u6211\u53bb\u7684\u65f6\u5019\uff0c\u662f\u5426\u4e5f\u80fd\u5982\u6b64\u5b81\u9759\u3002<\/span><\/p>\n<p><span style=\"font-size: small; font-family: times new roman,times;\">\u51ac\u65e5\u7684\u5348\u540e\uff0c\u8046\u542c\u8fd9\u5f20\u5531\u7247\uff0c\u62b1\u4f4f\u6696\u6696\u7684\u6c34\u676f\uff0c\u4efb\u7531\u601d\u8def\u5929\u9a6c\u884c\u7a7a\uff0c\u6709\u65f6\u5962\u671b\uff0c\u6709\u4e9b\u5e7b\u60f3\uff0c\u53ea\u662f\u4e00\u79cd\u65e0\u4ee5\u8a00\u4f20\u7684\u60c5\u7eea\uff0c\u8fd9\u4e0d\u6b63\u662f\u7235\u58eb\u7684\u6001\u5ea6\u5417\uff1f<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u827a\u4eba\u540d\u79f0: Enrico Rava &amp; Stefano Bollani  &hellip; <a href=\"http:\/\/www.tmter.com\/?p=854\">\u7ee7\u7eed\u9605\u8bfb <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[509,513,510,511,512],"_links":{"self":[{"href":"http:\/\/www.tmter.com\/index.php?rest_route=\/wp\/v2\/posts\/854"}],"collection":[{"href":"http:\/\/www.tmter.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.tmter.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.tmter.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.tmter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=854"}],"version-history":[{"count":2,"href":"http:\/\/www.tmter.com\/index.php?rest_route=\/wp\/v2\/posts\/854\/revisions"}],"predecessor-version":[{"id":856,"href":"http:\/\/www.tmter.com\/index.php?rest_route=\/wp\/v2\/posts\/854\/revisions\/856"}],"wp:attachment":[{"href":"http:\/\/www.tmter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.tmter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=854"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.tmter.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}